The first time I heard Frank Marzano’s music, I wasn’t impressed. His singing got on my nerves. His guitar playing was strictly run-of-the-mill. The man had no stage presence whatsoever. What he did have was songs: dozens upon dozens of some of the best songs I’d ever heard. Twelve of them appear on his latest CD, American Proust. Based in northwest Pennsylvania (a region dominated by Americana and jam bands), Marzano defiantly cranks out melodic pop-rock. His biggest influence seems to be the Beatles (in particular George Harrison), but one can also detect elements of surf-rock, jazz, blues, and country. Proust is Marzano’s third album, following But Enough About Me (2007) and The Boy Who Always Got Picked Last (2012). But while the first album was marred by sub-par production, the second suffered from a lack of self-editing. On Proust, Marzano finally gets it right. The arrangements are full. The melodies and guitar hooks are catchy. His singing is the best it's ever sounded. Lyrically, Proust can be considered a “concept” album dealing with middle-age angst. Marzano discusses the difficulties of finding romantic partners later in life (“Slow and Steady”) while questioning previous decisions (“Sleeping with Strangers”), with the spectre of old age never far away (“Golden Years”). This is not to say that Proust is one continuous buzzkill. “Keeper” is a hilarious spoof on redneck culture, and if you can't dance to "Someone Else's Sin", you can't dance. Marzano has surprised us all and delivered the best independent CD I heard in 2015. Marcel Proust was a 20th-century French author known for a long novel (Remembrance of Things Past), which contained long sentences with long words.The same can be said for Marzano. Most songs on this disc run in excess of five minutes, and you might want to keep a dictionary handy. But, with his well-crafted songs and unique perspective on human nature, Marzano is thoughtful, evocative, and not altogether undeserving of the moniker American Proust. www.frankmarzano.com**** (out of four)” - Captain Panda

Captain Panda's Local & Independent Music Showcase

      Frank Marzano is a singer/songwriter originally from Chicago but currently based in Pennsylvania. Marzano has released four albums since the break from his first band “Childhood’s End” in 1991. His music has gained the interest of both international blogs and indie radio stations, having his album “The Boy Who Always Got Picked Last” rank #6 most played on independent stations across America by The Roots Music Report. Notably, Marzano earned his PhD in 1995 and teaches math at Edinboro University of Pennsylvania. This album, Marzano’s fourth, is titled “American Proust” and was released September 27th. It features John Caruso on drums and Joshua Mayes on bass while Marzano handles the guitars and vocals. If this album was transferred back in time to the summer of 1962, it would certainly stand a fair chance of getting radio airplay. Everything about it, except perhaps the lyrical content and length of the songs, screams vintage Phil Spector/Beach Boys-esque power pop early rock hits. However, the record is more than that, diving into blues and folk sounds that give the tracks occasionally a bit more of an edge. “American Proust” will remind listeners of the shiny, catchy, pre-Beatles songs, but also of the fuzzier, bluesier, edgier tunes that came out during and post British invasion. The first track off the album, “Flashlight”, is one such tune that has more fuzz and attitude in it than the other tracks, it reminds one of early Canned Heat blues jams, with Marzano’s voice nearly mirroring the same soft and airy delivery of Alan Wilson. There is so much to be said about Marzano’s voice, mainly, is it good, or terrible? You may have noticed that I listed his vocals as “Interesting” in both the strengths and weaknesses category, this is because of two reasons, the first is a matter of preference. Avid listeners, especially those who lived through the late fifties and early sixties, will be more familiar/acquainted with the “unique” vocal styling Marzano offers. His vocals have a very retro-like sound to them that can be called quite artful and original, yet is still an acquired taste. Second, there are points in this record where Marzano’s voice shines. The instrumentation, mood, and lyrics all come together, especially on songs like “Love’s the Only Way Home” and “Sleeping with Strangers”. Think of the “Marzano music experience” to be a mixture of the pop hits and vocal sounds of Del Shannon, combined with the artfulness and presence of Neil Young, but all packaged in instrumentation and effects that sound like a Beach Boys recording. Basically, the result is a really great retro early sixties sound that has catchy hooks yet also depth and meaning. If you are one that has “acquired” the taste for voices like Marzano’s you’ll be able to appreciate this record. However, if you are someone that does not have respect for whiny, tinny vocals, “American Proust” is not for you. Even as a person that happened to enjoy the particular mood of the record, after a while the voice starts to wear a little thin on even the most patient listener. It doesn’t help that most of the songs are about a minute or two too long as well. Some of these tunes could be good pop hits, but need to be cut down considerably, after a while the presentation becomes a little bit monotonous. Apparently, the album is called “American Proust” because people commented to Marzano that his long songs reminded them of the literary work of Marcel Proust (famous author known for writing books that were very lengthy). Yes, they are certainly right, these songs are very, very long, probably a lot longer than they need to be from a commercial standpoint, if that matters to the artist is another issue. If you can get past the length and appreciate the voice, “American Proust” is actually a very intricate, well written, and well performed album. Marzano is offering listeners classic sounds that just aren’t heard very often anymore. Yes, some of the lyrical content is cheesy, and yes, this album isn’t really that innovative in any way, but what “American Proust” does is give an honest account from a seasoned songwriter that knows how to compose great pop hits that those with the right acquired musical tastes can enjoy. 8/10 Stars” - Owen Matheson

Band Blurb

      Frank Marzano is a force to be reckoned with.  Mild mannered math teacher by day, relentless live performer and self promoting recording artist all the rest of the time.  Marzano has spent more than three decades trying to break into the music business, playing in bands, and making recordings.  His work is an eclectic mix of 1960s influences, particularly 1950s and 1960s poprock and the Beatles.  “Hit the Bricks” from his 2012 album The Boy Who Always Got Picked Last showcases his strengths, a catchy tune cast in that innocent 1970s pop remaking of early 1960s songcraft, with great bass and lead guitar.  “Huge Rock Star” from the same album could be Marzano’s life story.  Indeed, the protagonist is probably also the singer and songwriter, urging himself to keep plugging away despite the lack of much success.  Marzano’s production and arrangement of the songs is crisp and refreshingly straightforward while his vocals have an original sound which I find both earnest and often endearing.  2015’s American Proust continued in the same vein, with “Love’s the Only Way Home” a particularly strong track due to its very catchy chorus.  He also has a great cover of Lennon and McCartney’s “Bad to Me” on a poprock tribute album.” - Dennis Pilon

Poprock Record